THE NEW YORK TIMES- Review: Camille A. Brown’s Rousing and Incisive ‘ink’

The choreographer Camille A. Brown often talks about the struggles she faced with body image as a young dancer, when teachers told her that she didn’t have the “ideal” dancer’s physique. I hope those people have been following her career, because she has been proving them wrong for about two decades, and continued to do so on Tuesday at the Joyce Theater with the New York premiere of “ink.”

The conclusion of her trilogy on African-American identity, with “Mr. TOL E. RAncE” (2012) and “BLACK GIRL: Linguistic Play” (2015), “ink” flies by, a rousing and incisive final statement. While she has branched out into Broadway and television in recent years — choreographing “Choir Boy,” “Once on This Island” and NBC’s “Jesus Christ Superstar Live in Concert” — Ms. Brown appears as dedicated as ever to her own company, Camille A. Brown & Dancers, both as a performer and lead creator.

Jordan Lugenbeel