UNCSA- Artist as Leader: Camille Brown
PLAYBILL- Camille A. Brown Is an Unstoppable New Voice in Broadway Dance—Here’s Why
CM: Talk to me a little bit about how being a dancer influences how you work as an artistic director.
CAB: Because I am a dancer as well, I am definitely in tune with how the body is taking in the material. I know what happens when you are pushed past your limit, and I really try to make sure I don’t overwork my dancers. The youngest dancer in my company is 30, and at 39 I’m the oldest, so that’s also something to consider.
WUNC 91.5- Shedding Stereotypes Through Movement
Camille A. Brown grew up self-conscious of her voice.
Rattled by the timbre of her own sound, worried that it distracted others from the content of what she said, Brown spoke aloud less and less—but she always had something to say. “Movement was always a very safe space for me,” she says. “It was the vehicle that helped me express how I was feeling.”
TODAYTIX- Broadway's Camille A. Brown Brings the Drama to Modern Dance
However, she was not surprised. Brown has spent much of her career using movement and music to dispel myths about African-Americans. Through her production “Black Girl: Linguistic Play,” she uses childhood games like double dutch and stepping to share a black girl’s journey from childhood through matury to sisterhood.
FORBES- Choreographer Camille A. Brown: A Queens Girl Who Now Creates Dance Everywhere
If you love musicals, you may have caught Camille A. Brown’s choreography in last year’s Tony Award-winning production of “Once On This Island” or on television in “Jesus Christ Superstar Live in Concert.” If you prefer Broadway plays, you might have seen her name in the playbill for “Choir Boy,” where her dance sequences helped bring the central choral music to life. Or you might have read that she’s choreographing the new Broadway-bound take on “Magic Mike,” which starts performances in Boston this fall. But long before she lent her inventive moves to theater, Camille A. Brown was a fixture of the modern dance scene.
Camille A. Brown has made a name for herself as a star choreographer in the dance world, receiving accolades notably but not limited to the Princess Grace Award, TED Fellowship, Guggenheim Fellowship, Doris Duke Performing Artist Award, USA Jay Franke & David Herro Fellowship and a Bessie Award. She’s graced the covers of dance magazines and performed at multiple TED conferences, choreographed for Broadway and television with John Legend’s Jesus Christ Superstar on NBC. But to speak to Brown, you’d never know it. It’s clear that the work itself is the prize she values most, as the soft-spoken Brown lights up with delight when discussing past and future projects.